They can therefore perform their required tasks more quickly and more efficiently, and at a much higher quality than their native counterparts. When running a TDM plug-in, it is highly unlikely that you will come close to maxing out its available resources. Lags, stutters, and other audio anomalies are things of the past, and work can proceed more smoothly and more efficiently.
Furthermore, TDM systems easily let you see how resources are allocated. Even in the unlikely event that you come close to maxing out the onboard DSP, your session will continue to run without a hiccup. Like most other plug-in formats, TDM plug-ins come in a few different varieties. There are software instruments such as synthesizers, drum machines, and samplers, and there is a wide range of effects processors as well.
Most of these tend to be of extremely high-quality, given the fact that they draw on resources that are typically unavailable to native plug-ins. Reverb processors are especially rich and detailed, and compressors and other dynamics plug-ins are extremely accurate and consistent. One of the main drawbacks of TDM plug-ins is their price. In addition to the cost of the plug-ins, you will also have to invest in a suitable DSP-equipped system, which is cost-prohibitive in itself.
Traditionally, recording engineers and music producers were advised to go for TDM only if they could afford it. Otherwise, RTAS plug-ins offered a more than workable alternative.
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